Nerds need to stop clamoring for their favorite shows from yesteryear to come back.
By Chris Snellgrove
| Updated
It’s no secret that The X-Files debuted at the perfect time. Even as the show built off the public’s increasing fascination with conspiracies and cover-ups, it became a sensation on the nascent World Wide Web, with early online fandom helping to shape the direction of the show. I was part of that early fandom, and nobody was more excited than I was when The X-Files was brought back for a television revival in 2016. However, the awful quality of these two new seasons taught me an invaluable lesson: nerds need to stop clamoring for their favorite shows from yesteryear to come back.
The revival of The X-Files didn’t happen in a vacuum. It was part of a glut of television revivals that included everything from Full House to Frasier. For another thing, it was part of the depressing entertainment industry trend where seemingly every new show or film must be a sequel, prequel, spinoff, or revival. That trend is here to stay because audiences generally enjoy returning to their favorite IPs (think of it as entertainment comfort food), but the middling X-Files revival is proof that some of our favorites need to stay in the past, untouchable perfect and preserved in the amber of nostalgia.
At first, the X-Files revival seemed like a return to form. After all, for fans who remembered how Mulder was completely absent for the last season and a half of the show, it was great to see David Duchovny and Gillian Anderson back onscreen in something other than the lackluster series finale or the bizarrely plodding sequel film The X-Files: I Want To Believe. But it didn’t take long for the revival to bring back dead characters, undo classic stories, and generally turn the franchise into something the Flukeman would swim through on his way out of the toilet.
The result was the worst of both worlds… a revival that made much of what came before meaningless even as it introduced new stories that quickly became all-time series lows. Did we really need more Scully pregnancy drama or the bizarre revelation that her son William was secretly Mulder’s half-brother? Instead of reigniting fans’ passion for the earlier seasons, the revival merely reminded us of what a mixed bag The X-Files really was when it came to consistency and quality.
Once I made peace with the failures of this revival, I began to realize that The X-Files was not a unique failure. In fact, its failure was as inevitable as change itself. The actors, creators, and fans had changed quite a bit since the show’s original run ended, but our collective need for nostalgia ensured that Chris Carter tried to replicate those earlier episodes, effectively trying to do ‘90s storytelling in 2016. The show refused to change for a fandom that had changed, and its revival did nothing but shine a spotlight on all the narrative warts of our favorite kooky conspiracy show.
The same need to peddle yesterday’s ideas to today’s very different audiences has doomed several other revivals, including That 90s Show and Frasier. Both of those shows tried to recreate their old formulas despite missing key cast members. Frasier is particularly egregious in that Kelsey Grammer is the only one of the original cast who returned in a meaningful way. For me personally, there was simply no appeal in watching this talented actor go through the motions without the support of the ‘90s best comedic ensemble cast (suck it, Seinfeld).
However, thanks to the failure of The X-Files revival, I already knew what to do about my hatred for the Frasier revival: ignore it in favor of simply streaming the original show. The classic episodes of all your favorite series are still available, and they will inevitably be better than any tired reboot or revival that the network trots out when they’re out of ideas.
Furthermore, by ignoring these tepid revivals, we can send a powerful message to those same networks that we demand new ideas and not tired, old ones. You don’t have to meet a shadowy government informant or face down alien monsters to effectively send this message. All you need to do is the last thing networks expect: turn the TV off until there’s something worth watching.
